I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.
Most of us have complicated feelings about our parents, and Elizabeth Hay is no exception. The time Hay spends filling in the family back story pays off by making the elder-care journey more poignant and nuanced than a sparser portrait would have produced. I read this memoir at the height of my own care-taking marathon, and while I appreciated every gorgeous word, the whole book would have been worth it for this sentence alone: "Yes, I volunteered to take [the care of my aging parents] on, but there was never a moment when I didn't wish to be let off the hook." I breathed a huge sigh of relief: I am not a monster, and I am not the only one to feel that way. I still feel grateful for that sentence.
From Elizabeth Hay, one of Canada's beloved novelists, comes a startling and beautiful memoir about the drama of her parents' end, and the longer drama of being their daughter. Winner of the 2018 Hilary Weston Writers' Trust Prize for Nonficiton.
Jean and Gordon Hay were a colourful, formidable pair. Jean, a late-blooming artist with a marvellous sense of humour, was superlatively frugal; nothing got wasted, not even maggoty soup. Gordon was a proud and ambitious schoolteacher with a terrifying temper, a deep streak of melancholy, and a devotion to flowers, cars, words, and his wife. As old age collides with…
When I read memoirs about aging parents, loss is usually an important theme; Ilsley's memoir stands out because his regret is for a closeness that never was. "Only now, as my father enters his nineties . . . and my aspirations of eldercare become more interventionist, has our relationship had a chance to deepen.
"And by deepen, I mean really begin to annoy each other."
Ilsley's relationship with his father is challenging. There are good reasons why Ilsley chooses to live in Vancouver rather than "home" in Nova Scotia. But his father is still is his father, and Ilsley commits. His writing is clear, candid, thoughtful, and so warm and funny. I loved this book.
George K. Ilsley explores his complex relationship with his aging father in this candid memoir full of sharp emotion and disarming humor. George’s father is ninety-one years old, a widower, and fiercely independent; an avid gardener, he’s sweet and more than a little eccentric. But he’s also a hoarder who makes embarrassing comments and invitations to women, and he has made no plans whatsoever for what is inevitably coming over the horizon.
Decades after George has moved four time zones away, he begins to make regular trips home to help care for his cranky and uncooperative father, and to sift…
When Jann Arden falls into her role as caretaker to her parents, she uses journaling and social mediato maintain her sanity. "I didn't want to feel alone in a room with Alzheimer's," she writes, and so she brings the reader into her home. Comprised of excerpts from Jann's journals, photographs that make the daily minutiae feel real, and recipes, Jann's beautiful book is a generous and very personal gift. Even those who are not already ardent Jann-fans will feel like her friend when immersed in this memoir. I did my first reading in one sitting, cried, and then read it again.
This edition of the inspirational #1 bestseller draws on a new year of Jann's diaries and her mother's final days.
When beloved singer and songwriter Jann Arden's parents built a house just across the way from her, she thought they would be her refuge from the demands of her career. And for a time that was how it worked. But then her dad fell ill and died, and just days after his funeral, her mom was diagnosed with Alzheimer's.
In Feeding My Mother, Jann shares what it is like for a daughter to become her mother's caregiver--in her own frank…
When I read this graphic novel for the first time in 2010, it had just been published, and my mom was still my mom. I had been a care aide for ten years and I was thinking a lot about what families had already been through by the time their beloved came to me in Extended Care. Tangles tells the story of Sarah Leavitt's family from the beginning, when the family starts to notice something is wrong with Mom, to the diagnosis of Early Onset Alzheimer's disease, through the long journey until death. The pictures and text were a perfect combination that cracked open my heart and made me a better care aide.
Years later, I had a more personal use for Tangles. My mom didn't have Alzheimer's disease, but Leavitt's book resonated like a tuning fork in St. Paul's cathedral. "I decided to pretend she wasn't my mother so I could manage to stay on the phone and listen to her." Five frames later: "Waaah! I want my Mommy!" That. Oh my God, exactly that.
In this powerful memoir the the LA Times calls “moving, rigorous, and heartbreaking," Sarah Leavitt reveals how Alzheimer’s disease transformed her mother, Midge, and her family forever. In spare blackand- white drawings and clear, candid prose, Sarah shares her family’s journey through a harrowing range of emotions—shock, denial, hope, anger, frustration—all the while learning to cope, and managing to find moments of happiness. Midge, a Harvard educated intellectual, struggles to comprehend the simplest words; Sarah’s father, Rob, slowly adapts to his new role as full-time caretaker, but still finds time for wordplay and poetry with his wife; Sarah and her…
I am not normally a huge graphic novel enthusiast but I have included two on this list not only because Tangles and Can't We Talk About Something More Pleasant are both excellent memoirs, but also because together they provide an interesting contrast between elder care in Canada and the United States, especially with regard to the Dreaded Money Thing. Besides, Roz Chast is hilarious. She made me laugh so hard, and honestly, when you're the primary caregiver for your aging parents, if you don't laugh, you'll cry.
#1 New York Times Bestseller 2014 National Book Award Finalist Winner of the inaugural 2014 Kirkus Prize in nonfiction Winner of the National Book Critics Circle Award Winner of the 2014 Books for a Better Life Award Winner of the 2015 Reuben Award from National Cartoonists Society
In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort…
A Funny Kind of Paradise is a novel about a strong, independent woman who, because of a debilitating stroke, ends up in an extended care facility, partially paralyzed, mute, and tube-fed. But Francesca still has a strong will to live, and a great sense of humour, and she is surprised to find herself deeply engaged in the lives the residents she lives with and the workers who look after them all. The daily routines and dramas Fran witnesses lead her to reconsider her past, in particular her role as a single parent to her children.
A Funny Kind of Paradise is a warm and insightful novel about one woman's opportunity for reinvention--for unconditional love, acceptance, and closure--in the unlikeliest of places.
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by the emergence of long-buried secrets when she takes a commission to build a replica of Jake Martin’s family mansion.
Robertson navigates the delicate balance between Tina's devotion to her father's wishes and the disruptions caused by revelations from the past. The novel beautifully explores the complexity of familial expectations and…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away leaving Tina with feelings of abandonment and suspicion. Raised by her loving, wheelchair-bound Aunt Liddy, her father's sister, 33 year old Tina has become a miniature room artist and cherishes the control she has over her life in Northeast Georgia as she works hard to please her beloved dead father's wishes of following in his footsteps in art and…
